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STAGES presenting ‘Aida’ through July 2
STAGES’ ‘Aida’ is a Tragic,
But Delightful, Love Triangle
Music and lyrics by Elton John, Tim Rice
by Pat Lindsey
Elton John and Tim Rice’s “Aida” is a timeless story of love and war. It begins in a museum where modern-day people are enthralled by an ancient Egyptian exhibit. Suddenly, the exhibit comes to life and the story flashes back to the days of Egyptian pharaohs who commanded their armies to fight for more and more territory along the Nile River.
Captain Radames (Ace Young) and his army have invaded the nearby country of Nubia and captured many of its people to serve as slaves in the Egyptian copper mines and palace. Among them is a beautiful Nubian princess named Aida (Wonu Ogunfowora). Radames, unaware that she is a princess, decides to give Aida to his betrothed Amneris (Diana DiGarmo) as a gift. Instead of working in the copper mines, Aida will be Amneris’ handmaiden.
Radames and Amneris have been engaged for nine years. They are unaware that Radames’ father, Zoser (Ryan Williams) has been slowly poisoning Amneris’ father, Pharaoh (David Benoit), so that Radames will become pharaoh after they are married.
Amneris is a spoiled, materialistic young woman who provides comic relief during tragic times. She considers herself to be “first in beauty, wisdom…and accessories.” To me, she is a cross between Barbie and Elle of “Legally Blonde.” And, much like Elle, she is ready to get married. The only problem is that her handsome Radames has fallen in love with her handmaiden, Aida. The story continues as the triangular plot thickens.
The brilliant use of neon triangles as stage decorations is symbolic of the love triangle between Radames, Amneris and Aida, as well as the Egyptian pyramids. Scenic design by Kate Rance and Lighting Design by Herrick Goldman featuring neon and bright colors and lights is sheer genius.
Brad Musgrove’s costumes run the gamut from slave rags to royal garbs. Princess Amneris’ wedding gown is a show-stopper–simple, but totally awesome. Each costume is perfect for its character and setting.
The music is everything to this show. It ranges from high-powered dance numbers to romantic duets. When Zoser (Ryan Williams) and the Ministers sing, “Another Pyramid,” Elton John’s musical style is undeniable. Tim Rice’s contributions to the lyrics are evident in every song, including my personal favorites, “How I Know You” and “Written in the Stars.” All of the cast members are excellent singers, but Wonu Ogunfowora’s voice is as powerful and gorgeous as her character, Aida.
In spite of the themes of war, slavery, death and dying, “Aida” is delightful. I found delight in watching a real-life married couple and former American Idol contestants (Ace Young and Diana DiGarmo ) play two of the lead roles while one of the spouses falls in love with another character. Radames’ father, Zoser (Ryan Williams) was delightful when he sang like a wannabe rock star who rocks black leather pants, a bare chest, and a slicked-back hairstyle.
Diana DiGarmo is a charming delight as the jilted princess and palace comedienne. The music, live orchestra, singing, dancing, stage sets and costumes are outstandingly delightful. During the standing ovation, Director and Choreographer Luis Salgado added a delightful touch when he invited everyone involved in the production of this show to come on stage and take a final bow. “Aida” is a delightful way to open the 2023 STAGES ST. LOUIS season with another triumph.
“Aida is being performed now through July 2 at The Ross Family Theatre at the Kirkwood Performing Arts Center. For tickets, call 314-821-2407 or go to StagesStLouis.org.
