{"id":23435,"date":"2020-02-10T23:02:44","date_gmt":"2020-02-10T23:02:44","guid":{"rendered":"https:\/\/flovalleynews.com\/?p=23435"},"modified":"2020-02-10T23:07:19","modified_gmt":"2020-02-10T23:07:19","slug":"sandra-olmsteds-cinematic-skinny-oscars-redux","status":"publish","type":"post","link":"https:\/\/flovalleynews.com\/?p=23435","title":{"rendered":"SANDRA OLMSTED\u2019S CINEMATIC SKINNY: OSCARS REDUX"},"content":{"rendered":"

MY DREAM 2020 OSCARS REDUX<\/span><\/h1>\n

By Sandra Olmsted<\/span><\/h3>\n
\"\"
Academy Award winner Renee Zellweger as Judy<\/figcaption><\/figure>\n

 <\/p>\n

If I were the Queen of Hollywood and anything I did would be legal, as if I had the divine right of kings, who would I have decreed be nominated and win Oscars? First, I would decree that comedies, dramas, and musicals would each have a separate best picture category. Why? Because films like \u201cJo-Jo Rabbit\u201d and \u201cKnives Out\u201d never have a chance of taking home a Best Comedy Oscar. In terms of musicals, I\u2019m going way out on a limb here \u2014 and you may have to call the fire department to get me down \u2014 yet I think \u201cCats\u201d was good if a bit long. I had seen the stage play several times and still had no idea what the story was; however, the film version clarified it. And please, no caterwauling about not knowing what Jellicles, etc. mean because, if it was a superhero movie, a dozen imaginary terms would be introduced without inspiring whining. Best Drama would still come down to \u201c1917\u201d or \u201cParasite\u201d; however, the Academy did what I could not imagine: and award \u201cParasite\u201d Best International Feature and Best Picture, and Bong Joon Ho Best Director and Best original Screenplay. If there were separate categories, Parasite, although a dark comedy, might have been under Best Comedy.<\/p>\n

\"\"
Director Kasi Lemmons and Cynthia Erivo, who played Harriet, at an event for the \u201cHarriet\u201d<\/figcaption><\/figure>\n

 <\/p>\n

Who would I have nominated who wasn\u2019t and for what? Kasi Lemmons and Greta Gerwig, who both have writing credits for their films, would immediately have nominations for Best Director. Harriet, which would have been nominated for Best Dramatic Picture, showed Lemmon\u2019s nuanced, delicate genius in handling the violence of Harriet Tubman\u2019s life while giving us an American heroine. Greta Gerwig opened up a classic story with portrayals of those \u201cLittle Women\u201d that freed them from the male gaze so that they could become more real humans, which made all the characters sympathetic in ways the earlier versions did not. Two other women who deserve nominations for Best Director were Marielle Heller for \u201cA Beautiful Day in the Neighborhood\u201d and Celine Sciamma for \u201cPortrait of a Lady on Fire.\u201d Maybe we need ten nominations in the Best Director category so that the directing talents of women might be acknowledged by Hollywood\u2019s old boys\u2019 club.<\/p>\n

\"\"
Greta Gerwig directs Meryl Streep in Little Women (2019).<\/figcaption><\/figure>\n

What about films about Hollywood? Since I love them, they would always be a favorite of my perfect Academy. So \u201cJudy\u201d and \u201cOnce Upon a Time… in Hollywood\u201d would done even better. The film \u201cJudy\u201d would get a Best Dramatic Oscar, or at the very least a nomination, in my perfect world. And no, it is not a musical, but a drama. And Renee Zellweger would win Best Actress because she channels Judy Garland in every facial expression, body movement, and song belted out, yet, more importantly, Zellweger makes Garland not the butt of cruel jokes but a real person. Zellweger, and Judy\u2019s director and screenwriters, reveal the troubled, difficult life of the child star who was stunted physically and emotional by exploitive executives, family members, and harsh studio demands. Even in the imperfect world where I\u2019m not Queen of Hollywood, Zellweger won Best Actress and Brad Pitt won Best Supporting Actor for \u201cOnce Upon a Time… in Hollywood\u201d although that film could only be nominated for Best Dramatic or Best Comedy Picture, depending Columbia Pictures\u2019 positioning of its film.<\/p>\n

Would I decree that credit-where-credit-was-due be given to streaming studios? Absolutely! They are producing and distributing some excellent and innovative films. The strategy of snagging big stars, such as Anthony Hopkins for \u201cThe Two Popes,\u201d and director Martin Scorsese, Robert De Niro, Al Pacino, and Joe Pesci for \u201cThe Irishman,\u201d has given the streaming studios the political connections to get nominations and while giving stars the opportunities to make their vanity films. My decree would go into effect immediately and not just after the traditional studios invested in all the streaming companies. In addition to Netflix’s \u201cMarriage Story,\u201d \u201cThe Irishman,\u201d \u201cThe Two Popes,\u201d and \u201cKlaus\u201d and Amazon Studios\u2019 \u201cOne Child Nation\u201d and \u201cHoney Boy,\u201d other films should have at least gotten Oscar nods: Netflix\u2019s, \u201cThe Laundromat\u201d and \u201cDolemite Is My Name\u201d and Amazon\u2019s \u201cThe Aeronauts,\u201d \u201cLate Night,\u201d and \u201cTroop Zero.\u201d To address the motion picture industry\u2019s problem of distribution, they should remember that the streaming studios deliver movies to our digital doorstep, just as studio mogul Siegmund Lubin predicted, circa 1917.<\/p>\n

\u201cThe motion picture machine will be part and parcel of every household . . . and movies will be delivered with the daily mail.\u201d<\/strong><\/em><\/span><\/h3>\n

Well, a girl is allowed to dream of being divinely anointed and to always have her way, at least until the final ballots were counted!<\/p>\n","protected":false},"excerpt":{"rendered":"

MY DREAM 2020 OSCARS REDUX By Sandra Olmsted   If I were the Queen of Hollywood and anything I did would be legal, as if I had the divine right of kings, who would I have decreed be nominated and win Oscars? 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